Paramount use Internet Marketting to Their Advantage on War of the Worlds Movies News
By Anthony Pearson
Mar 14, 2005, 15:46 GMT
While many summer blockbusters guard their insider secrets carefully -- strategically releasing only enough details to get moviegoers excited about a film's opening -- the star power behind the upcoming actioner "War of the Worlds ," a Paramount domestic release co-produced by DreamWorks, opted for a much different approach.
While many summer blockbusters guard their insider secrets carefully -- strategically releasing only enough details to get moviegoers excited about a film's opening -- the star power behind the upcoming actioner "War of the Worlds," a Paramount domestic release co-produced by DreamWorks, opted for a much different approach. Star Tom Cruise and director Steven Spielberg took time out of "War's" shooting schedule to sit down for a detailed early interview to target the hard-core sci-fi crowd. And the best place to reach that audience? Forget national television; it's all about the Internet. "I think Steven Spielberg and Tom Cruise understand the way the Internet interacts with their audience," says Gerry Rich, president of worldwide motion picture marketing at Paramount. "A camera crew went on the set and delivered questions, which they responded to through video. The questions were very specific and answered by the filmmakers, which was the first interview granted. The Web provides us with the opportunity to reach fans throughout the world on such an intimate level." Getting the right message to the right target audience at the right time is the bottom line for every marketing professional, and as the discipline continues to evolve at lightning speed, savvy executives understand that it is crucial to harness new opportunities -- including online efforts, guerrilla marketing and branded entertainment -- in the most effective manner. Many of the industry's top marketers believe that it comes down to one word: technology. "Going back only five, four or even three years ago, you would see the
Internet cited as a source of awareness for movies in the single digits (percentagewise); now, it's not uncommon to see it with certain movies getting into 30% and higher," says Dawn Taubin, president of domestic marketing at Warner Bros. Pictures.Marketers have sung the Internet's praises since the emergence of the stationary banner ad, and the subsequent proliferation of wireless devices has made online marketing channels even more attractive as they can reach potential moviegoers day or night in their homes or cars, at work or anywhere else. But given the breakneck speed at which technology enters the market and becomes adopted widely, it can be especially challenging to patent campaigns and evaluate their effects before having to create something fresher to fit the next big technological thing. "We are all still grappling with how to make the best use of the Internet and the emerging technologies that are in front of us," Universal Pictures president of marketing Adam Fogelson says. "I think we all acknowledge that they are critically important (and) valuable, (but) I haven't seen proof that any of us has yet completely figured it out. Having said that, though, there are pieces and subcomponents that we have (figured out), and one place where I've found the Internet can be of massive value is in gathering existing communities." Fogelson and his team found great success last year when they used the Internet to hone in on the fan base most likely to turn out in large numbers for Universal's sleeper-hit remake "Dawn of the Dead." "There were hard-core fans of not only the horror genre but specifically the zombie genre," Fogelson says. "The Internet is the only viable, economically efficient place to gather the most-devoted fans and equip them with the tools and the technology to go out and spread the word themselves."
Although no one is about to abandon traditional forms of marketing, professionals have begun to think differently when conceptualizing campaigns and apportioning budgets. Cutting a great trailer is still of the utmost importance, but marketers now must divide the balance of a film's budget among an increasing number of outlets. "If you're allocating a certain percentage of your media dollars to the Internet to do a specific thing, then you look at what else you're doing and ask if you can reduce from elsewhere," Taubin says. "Wireless campaigns, e-mail campaigns and things like that might make you say, 'We don't need a heavy newspaper presence on this title.'" Some studios are high on a relatively new tactic called sampling, whereby instead of making a conventional 30-second teaser, they offer an in-depth look at an upcoming movie in a teaser that is two, five or even 10 minutes in duration. Sony aired a snippet of its eventual summer superhero blockbuster "Spider-Man 2" during the January 2004 debut of NBC's hit reality show "The Apprentice"; two months later, Universal aired the opening 10 minutes of "Dawn" uncut on the USA Network. Other studios have opted for different paths. For its 2004 remake "The Manchurian Candidate," for example, Paramount partnered with Kyocera Wireless to create a voice-recognition game. Contestants who registered at www.manchuriangame.com received daily phone calls that put them inside the movie's plot, including story messages and audio pulled directly from the film; they then could prompt characters to take certain actions. "For us, it's finding content, finding efficient ways to deliver a message to make an impact," says Rich, who cites a recent study that found that U.S. men ages 19-34 spent as much time playing video games last year as they did watching television. "It's a very savvy audience." Impactful, but not always overt. Whereas the remote control once was feared as a message-killer -- consumers might (gasp!) mute TV ads -- TiVo and its ilk have created a way to bypass commercials altogether. With that in mind, integrated marketing and branded entertainment are the latest catchphrases for an industry faced with the impending widespread adoption of commercial-zapping personal video recorder technology. "I think you're going to find that, more and more, as (video-on-demand) comes into play -- as TiVo becomes more of a situation -- all of these entities are forcing our windows to be shorter and shorter," says Geoffrey Ammer, president of worldwide marketing at the Columbia TriStar Motion Picture Group. "Our job is find ways to integrate into programming, rather than just straight commercials." Ultimately, it comes back to selecting the best avenue through which to connect with audiences. "We can't be arrogant and assume that if we play a spot in a particular area, then they're going to show up," Rich says. "In this era of multitasking, we have to understand what these audiences are doing and come up with new strategies to reach them."Source: Hollywood Reporter/Minju Pak
View
Steven Spielberg Pictures
View blog reactions
Latest Headlines in Movies
Talkback
Latest from M&C Blogs
There are currently no comments for this article. Be the first to comment! (no registration required)